Japanese pilgrims bearing 30,000 paper cranes visit WWII internment site, meet up with Austin Sanctuary Movement.
AUSTIN — It has been over two years since I wrote about immigrant detention. The French have an expression, “The more things change, the more they stay the same.” I just reviewed the Rag Blog posts I wrote in 2015 and 2016 and comparing them to the situation today feels masochistic. Agent Orange’s anti-immigrant vitriol has been so often repeated (and re-tweeted) that even if one has a psychic barrier to protect one from Fox Not News, the cruelty creeps under the door like some 21st century mustard gas.
And we are still in the trenches.
And yet.
This Monday I made the drive north on Cameron, which then became Dessau and turned West on Wells Branch to visit St. Andrew’s Presbyterian Church, where my friends Hilda and Ivan have been living in Sanctuary for too long. I’m glad I made the drive because I met an extraordinary group of people who had come to Texas to make a pilgrimage to Crystal City, Texas, one of the U.S. Department of Justice internment camps that held Japanese-Americans during World War II and even after the war had ended.
The members of this pilgrimage included adults who had been small children in the internment camps and younger people whose grandparents and other relations were in Crystal City or one of the other camps in desolate areas of the Western U.S. They came to St. Andrew’s after staging a peaceful protest at the South Texas Family Residential Center (sic) in Dilley, Texas – to meet Hilda and Ivan and members of the Austin Sanctuary Network (ASN).
They came to express their memories of dislocation, separation, humiliation, and resilience. They came to express their authentic empathy to the families and children being held in detention centers in the latest iteration of Usian racist anti-immigrant policies. The large, open Sanctuary of St. Andrew’s became a place of stories, of new friendships, and a Solidarity that spanned decades, languages, and what it means to be fully human.
Their vision of bringing 10,000 cranes to the Dilley Detention Prison lead to not 10,000 but over 30,000 cranes made by Japanese-Americans from all around the globe. The paper crane (tsuru in Japanese) was an integral part of their visit. In the group’s brochure, they write, “The story of the crane as symbol of nonviolence and human love is a uniquely Japanese cultural story and we want to bring it to this struggle.”
As some had to leave to catch planes back to their homes on the West Coast and others continued to talk to the press and members of ASN, Hilda and Ivan were seated in the foyer of the church, making the cranes. A few members of the group had created a step-by-step map for them to be able to make these beautiful creatures.
The immigrant justice movement in the U.S. has often used the butterfly as a symbol of transformation and freedom. Perhaps now that Hilda and Ivan know how to fold paper cranes, they will teach others. There is a possibility of a cultural exchange based on shared experience, compassion, and a fierce determination to end detention.
Our new friends want to come back in November. I, for one, sincerely hope they will. Let’s ask Hilda and Ivan to teach us how to make these birds that carry freedom, beauty, and peace so that when these real allies return, we will be able to greet them with thousands of tsuru to express our appreciation that they recognize the contemporary struggle for immigrant justice as a continuation of their own stories.
[Rag metro writer Elaine Cohen moved to Austin in 1997 after she founded Accion Zapatista’s website. She became involved with immigrants when she started work as a bilingual substitute for the Austin Independent School District (AISD). After another stay teaching in Mexico (2005-2010) she returned to Austin, discovered the Hutto Visitation Program, and became involved in visiting women and children in Texas’ family immigration detention centers.]
Read more articles by Elaine J. Cohen on The Rag Blog.
Thanks for sharing.
Are you the Elaine Cohen who wrote Kali Women and Caballeros? I am the archivist working on Jim Hayes’ papers and I’m trying to find a short bio!