"We’re History’s Actors"

[Note: This commencement address was given to graduates of the Department of Rhetoric at Zellerbach Hall, University of California, Berkeley, on May 10, 2007]

When my assistant greeted me, a number of weeks ago, with the news that I had been invited to deliver the commencement address to the Department of Rhetoric, I thought it was a bad joke. There is a sense, I’m afraid, that being invited to deliver The Speech to students of Rhetoric is akin to being asked out for a romantic evening by a porn star: Whatever prospect you might have of pleasure is inevitably dampened by performance anxiety — the suspicion that your efforts, however enthusiastic, will inevitably be judged according to stern professional standards. A daunting prospect.

The only course, in both cases, is surely to plunge boldly ahead. And that means, first of all, saluting the family members gathered here, and in particular you, the parents.

Dear parents, I welcome you today to your moment of triumph. For if a higher education is about acquiring the skills and knowledge that allow one to comprehend and thereby get on in the world — and I use “get on in the world” in the very broadest sense — well then, oh esteemed parents, it is your children, not those boringly practical business majors and pre-meds your sanctimonious friends have sired, who have chosen with unerring grace and wisdom the course of study that will best guide them in this very strange polity of ours. For our age, ladies and gentlemen, is truly the Age of Rhetoric.

Now I turn to you, my proper audience, the graduating students of the Department of Rhetoric of 2007, and I salute you most heartily. In making the choice you have, you confirmed that you understand something intrinsic, something indeed…. intimate about this age we live in. Perhaps that should not surprise us. After all, you have spent your entire undergraduate years during time of war — and what a very strange wartime it has been.

When most of you arrived on this campus, in September 2003, the rhetorical construction known as the War on Terror was already two years old and that very real war to which it gave painful birth, the war in Iraq, was just hitting its half-year mark. Indeed, the Iraq War had already ended once, in that great victory scene on the USS Abraham Lincoln off the coast of San Diego, where the President, clad jauntily in a flight suit, had swaggered across the flight deck and, beneath a banner famously marked “Mission Accomplished,” had declared: “Major combat operations in Iraq have ended. In the battle of Iraq, the United States and our allies have prevailed.”

Of the great body of rich material encompassed by my theme today — “Words in a Time of War” — surely those words of George W. Bush must stand as among the era’s most famous, and most rhetorically unstable. For whatever they may have meant when the President uttered them on that sunny afternoon of May 1, 2003, they mean something quite different today, almost exactly four years later. The President has lost control of those words, as of so much else.

At first glance, the grand spectacle of May 1, 2003 fits handily into the history of the pageantries of power. Indeed, with its banners and ranks of cheering, uniformed extras gathered on the stage of that vast aircraft carrier — a stage, by the way, that had to be turned in a complicated maneuver so that the skyline of San Diego, a few miles off, would not be glimpsed by the television audience — the event and its staging would have been quite familiar to, and no doubt envied by, the late Leni Riefenstahl (who, as filmmaker to the Nazis, had no giant aircraft carriers to play with). Though vast and impressive, the May 1 extravaganza was a propaganda event of a traditional sort, intended to bind the country together in a second precise image of victory — the first being the pulling down of Saddam’s statue in Baghdad, also staged — an image that would fit neatly into campaign ads for the 2004 election. The President was the star, the sailors and airmen and their enormous dreadnought props in his extravaganza.

However ambitiously conceived, these were all very traditional techniques, familiar to any fan of Riefenstahl’s famous film spectacular of the 1934 Nuremberg rally, Triumph of the Will. As trained rhetoricians, however, you may well have noticed something different here, a slightly familiar flavor just beneath the surface. If ever there was a need for a “disciplined grasp” of the “symbolic and institutional dimensions of discourse” — as your Rhetoric Department’s website puts it — surely it is now. For we have today an administration that not only is radical — unprecedentedly so — in its attitudes toward rhetoric and reality, toward words and things, but is willing, to our great benefit, to state this attitude clearly.

I give you my favorite quotation from the Bush administration, put forward by the proverbial “unnamed Administration official” and published in the New York Times Magazine by the fine journalist Ron Suskind in October 2004. Here, in Suskind’s recounting, is what that “unnamed Administration official” told him:

“The aide said that guys like me were ‘in what we call the reality-based community,’ which he defined as people who ‘believe that solutions emerge from your judicious study of discernible reality.’ I nodded and murmured something about enlightenment principles and empiricism. He cut me off. ‘That’s not the way the world really works anymore,’ he continued. ‘We’re an empire now, and when we act, we create our own reality. And while you’re studying that reality — judiciously, as you will — we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors…. and you, all of you, will be left to just study what we do.'”

I must admit to you that I love that quotation; indeed, with your permission, I would like hereby to nominate it for inscription over the door of the Rhetoric Department, akin to Dante’s welcome above the gates of Hell, “Abandon hope, all ye who enter here.”

Both admonitions have an admirable bluntness. These words from “Bush’s Brain” — for the unnamed official speaking to Suskind seems to have been none other than the selfsame architect of the aircraft-carrier moment, Karl Rove, who bears that pungent nickname — these words sketch out with breathtaking frankness a radical view in which power frankly determines reality, and rhetoric, the science of flounces and folderols, follows meekly and subserviently in its train. Those in the “reality-based community” — those such as we — are figures a mite pathetic, for we have failed to realize the singular new principle of the new age: Power has made reality its bitch.

Given such sweeping claims for power, it is hard to expect much respect for truth; or perhaps it should be “truth” — in quotation marks — for, when you can alter reality at will, why pay much attention to the idea of fidelity in describing it? What faith, after all, is owed to the bitch that is wholly in your power, a creature of your own creation?

Of course I should not say “those such as we” here, for you, dear graduates of the Rhetoric Department of 2007, you are somewhere else altogether. This is, after all, old hat to you; the line of thinking you imbibe with your daily study, for it is present in striking fashion in Foucault and many other intellectual titans of these last decades — though even they might have been nonplussed to find it so crisply expressed by a finely tailored man sitting in the White House. Though we in the “reality-based community” may just now be discovering it, you have known for years the presiding truth of our age, which is that the object has become subject and we have a fanatical follower of Foucault in the Oval Office. Graduates, let me say it plainly and incontrovertibly: George W. Bush is the first Rhetoric-Major President.

The Dirtied Face of Power

I overstate perhaps, but only for a bit of — I hope — permitted rhetorical pleasure. Let us gaze a moment at the signposts of the history of the present age. In January 2001, the Rhetoric Major President came to power after a savage and unprecedented electoral battle that was decided not by the ballots of American voters — for of these he had 540,000 fewer than his Democrat rival — but by the votes of Supreme Court Justices, where Republicans prevailed 5 to 4, making George W. Bush the first president in more than a century to come to the White House with fewer votes than those of his opponent.

In this singular condition, and with a Senate precisely divided between parties, President Bush proceeded to behave as if he had won an overwhelming electoral victory, demanding tax cuts greater and more regressive than those he had outlined in the campaign. And despite what would seem to have been debilitating political weakness, the President shortly achieved this first success in “creating his own reality.” To act as if he had overwhelming political power would mean he had overwhelming political power.

This, however, was only the overture of the vast symphonic work to come, a work heralded by the huge, clanging, echoing cacophony of 9/11. We are so embedded in its age that it is easy to forget the stark, overwhelming shock of it: Nineteen young men with box cutters seized enormous transcontinental airliners and brought those towers down. In an age in which we have become accustomed to two, three, four, five suicide attacks in a single day — often these multiple attacks from Baghdad don’t even make the front pages of our papers — it is easy to forget the blunt, scathing shock of it, the impossible image of the second airliner disappearing into the great office tower, almost weirdly absorbed by it, and emerging, transformed into a great yellow and red blossom of flame, on the other side; and then, half an hour later, the astonishing flowering collapse of the hundred-story structure, transforming itself, in a dozen seconds, from mighty tower to great plume of heaven-reaching white smoke.

The image remains, will always remain, with us; for truly the weapon that day was not box cutters in the hands of nineteen young men, nor airliners at their command. The weapon that day was the television set. It was the television set that made the image possible, and inextinguishable. If terror is first of all a way of talking — the propaganda of the deed, indeed — then that day the television was the indispensable conveyer of the conversation: the recruitment poster for fundamentalism, the only symbolic arena in which America’s weakness and vulnerability could be dramatized on an adequate scale. Terror — as Menachem Begin, the late Israeli prime minister and the successful terrorist who drove the British from Mandate Palestine, remarked in his memoirs — terror is about destroying the prestige of the imperial regime; terror is about “dirtying the face of power.”

President Bush and his lieutenants surely realized this and it is in that knowledge, I believe, that we can find the beginning of the answer to one of the more intriguing puzzles of these last few years: What exactly lay at the root of the almost fanatical determination of administration officials to attack and occupy Iraq? It was, obviously, the classic “over-determined” decision, a tangle of fear, in the form of those infamous weapons of mass destruction; of imperial ambition, in the form of the neoconservative project to “remake the Middle East”; and of realpolitik, in the form of the “vital interest” of securing the industrial world’s oil supplies.

In the beginning, though, was the felt need on the part of our nation’s leaders, men and women so worshipful of the idea of power and its ability to remake reality itself, to restore the nation’s prestige, to wipe clean that dirtied face. Henry Kissinger, a confidant of the President, when asked by Bush’s speechwriter why he had supported the Iraq War, responded: “Because Afghanistan was not enough.” The radical Islamists, he said, want to humiliate us. “And we need to humiliate them.” In other words, the presiding image of The War on Terror — the burning towers collapsing on the television screen — had to be supplanted by another, the image of American tanks rumbling proudly through a vanquished Arab capital. It is no accident that Secretary of Defense Donald Rumsfeld, at the first “war cabinet” meeting at Camp David the Saturday after the 9/11 attacks, fretted over the “lack of targets” in Afghanistan and wondered whether we “shouldn’t do Iraq first.” He wanted to see those advancing tanks marching across our television screens, and soon.

In the end, of course, the enemy preferred not to fight with tanks, though they were perfectly happy to have us do so, the better to destroy these multi-million dollar anachronisms with so-called IEDs, improvised explosive devices, worth a few hundred bucks apiece. This is called asymmetrical warfare and one should note here with some astonishment how successful it has been these last half dozen years. In the post-Cold War world, after all, as one neo-conservative theorist explained shortly after 9/11, the United States was enjoying a rare “uni-polar moment.” It deployed the greatest military and economic power the world has ever seen. It spent more on its weapons, its Army, Navy, and Air Force, than the rest of the world combined.